Monday, August 29, 2011

a Lanvin headpiece

I haven't actually been able to find this piece for sale online anywhere. I spent ages searching, but even on the Lanvin website it's not listed.

Regardless, I saw it on the practically every model's head in the Fall 2011 Lanvin fashion show and knew I had to make it!



I used a black cotton poplin to make this - it cost me $3.45 in total to make this and only 1 hour and a half.




I used 0.5m of fabric and ripped it into pieces. I tied a loose knot into the centre of those pieces and glued the knots together in a big bunch. Then I just glued it to a ribbon!

My very own Lanvin headpiece :)

Of course it is huge, and looks ridiculous on me (especially with a scarf!)

Thursday, August 25, 2011

Weekly Loves

I really, really like that Dior necklace. The colours, the materials... love it! 

Things have slowed down this week. Sometimes its hard to stay motivated! But I'm trying to keep working - if I don't feel like sewing, then the least I can do is research.

Here's my faves this week:

Lanvin Fall 2011

Erin Fetherston Fall 2011

House of Holland Spring 2011

Dior Spring 2011

Roksanda Ilincic

Christopher Kane Resort 2012

Isaac Mizrahi Fall 2011

Monday, August 22, 2011

a Derek Lam vest

So I copied this fur vest from Derek Lam. Now the vest that I made, it is (faux) fur, and it is a vest... but other than that it's not really anything like the Derek Lam fur vest.


 


See what I mean?


It all started with the colour of the fur. The original is more of a yellow colour and the closest I could get was brown.


It took me ages to sew this (33 hours in total). I decided to sew in a lining to make it more professional and I think that's where most of the 33 hours went. Every time I sewed in the lining I had to unstitch it because the fur would warp and hang weird. I figured I was sewing it too tight, and on the third try I realised that I had sewn the fur the wrong way, not the lining! So I completely undid everything, re-sewed the fur and hand-stitched the lining. That's why this vest took me 33 hours!


The inside lining

Stitching the lining around the curve of the underarm was the hardest. I just couldn't make it nice and tidy.
The stitching under the arm


Hand-stitched lining


Here's a few pictures of me in the vest. It's nothing like the original Derek Lam vest - its different in practically every way - but I still like it :)



All up this vest cost me $34.30 to make - $25.60 for the faux fur, $5.60 for the lining, and $3.10 for thread.

Thursday, August 18, 2011

Weekly Loves

The orange Elie Saab dress reminds me of the Lanvin dress I finished a few days ago... I'm not going to even attempt this Elie Saab dress though, I'm getting a hang of what I can and can't do with sewing. Better to stick with  my strengths, I think. 

These are some of my favourites from this week:

Jil Sander Spring 2011

Gucci Resort 2012

Elie Saab Spring 2011

Lyn Devon Resort 2011

Tribune Standard Resort 2012

Tracy Reese Fall 2011

BCBG Max Azria Resort 2012

Monday, August 15, 2011

a Lanvin dress

I really liked this Lanvin dress, but I really stuffed it up. 


This is the original dress on the runway...



And this is the copycat dress on me...


Yeah....




Okay so firstly, the colour is wrong. My copycat dress is orange and the original is more of a watermelon colour. 


Secondly, the neckline. DISASTER.


The original neckline is beautiful and voluminous and light. My copycat neckline is heavy and slightly voluminous, but only in a sad and pathetic sort of way.


Let's take a closer look...




I used interfacing inside the neckline to make it a bit stronger so it wouldn't droop down, but you can see in the photos how the interfacing started to pull away from the fabric, creating those little bubbles. 





I also had to make all these messy messy stitches inside, just to get the neckline to sit up nice and bouncy...


and I add to add extra interfacing on the inside of the dress around the neckline, and underneath the neckpiece on the front of the dress to help the dress support the weight more.


The dress isn't finished properly either, I only overlocked the edges instead of hemming them nicely


And here's my Lanvin by Copycat label :)



I even made a headpiece, just like on the runway original! I'll blog about that later.



The original Lanvin dress costs NZ$5000; I spent $40.60 on materials, and it took me 16 hours and 45 minutes to make. This dress is by far one of the worst copycat items I've made. I mean, it's obvious what I'm trying to copy, but it is still a major FAIL. I think this just comes down to make inadequate sewing ability. I can sew, just not at this level!

Friday, August 12, 2011

Weekly Loves

I've been working on a Lanvin dress this week. I'm hoping to have it done soon, and then I can share it on here.

Here are my favourite designer items this week :)

Elie Saab Fall 2011 
Michael Kors Spring 2011

Bottega Veneta Resort 2012

Norma Kamali Fall 2011

Reem Acra Spring 2011

Rachel Roy Fall 2011

Victoria Beckham Fall 2011

Monday, August 8, 2011

the Copycat process

I thought it would be interesting to share my process - a few people have been asking me how I go about choosing pieces to copy and what I do from there.


The first step is always research. I spend hours searching on fashion websites (style.com, net-a-porter, and elle are my favourites) going through their images. Style.com and Elle have the latest collections from fashion designer on their websites and I search through those, saving my favourite outfits.  Net-a-porter has the latest fashions available for sale, and they include a lot of information about the garments as well, such as fabric, measurements and any other extra info.


style.com Fall 2011 designer collections

net-a-porter


I choose garments based on 3 things mainly: their look, the level of sewing required, and what materials they use. So many pieces I love the look off I never make, because they're either way too advanced in terms of sewing, or they use materials that I just don't have access to. 


I like to choose pieces that are colourful and a little bit different - like something covered in sequins, or something that is in a bright colour. I like things that are eye-catching!


Once I've chosen something that I want to make, I print it out and head off to the library. At the library I search through all their past issues of burda.


Burda is a sewing magazine that comes with about 30 patterns in each issue. The magazines cost $14 to buy, or 50c to borrow from the library for one week. So I search through all the issues until I find a pattern that is closest to what I want to make.

After I find a pattern, I stop by the fabric store on the way home and search for the closest fabric that I can find. Sometimes I get pretty close, and sometimes I can't find anything and have to choose something completely different to make. The fabric store I go to is really good, and I get a 20% student discount. I've been so many times this year that all the staff know me now!

The first thing I do when I get home is wash the fabric. This is really important, as some fabrics can shrink the first time they're washed, and if you're washing them AFTER you've sewn them, then your garment is going to warp and completely change shape.

While the fabric is in the wash, I trace the pattern onto paper, add seam allowances and cut the pattern pieces out. 


Sometimes I need to alter a pattern to suit what I'm making. For example, I might want to make  a short dress that has wide shoulder straps, but the closest pattern I can find is for a T-Shirt. When I'm tracing the pattern onto paper, I would lengthen the shirt, ignore the pattern piece for the sleeves, and alter the straps to width I like. I've found it to be pretty easy, and most of the pieces I've made so far have been from patterns that I've altered.


And then from there the actual sewing starts. I pin the pattern to the fabric, cut it out and follow the sewing instructions in the burda magazine, while still copying the designer original.


This is roughly the same process I go through for each piece I make. These are all really important parts and all have a huge affect on the success of each piece; from choosing the right garment to start with, finding a pattern and getting it to work, choosing the right materials - each part of this process can either make or break the final garment!

Friday, August 5, 2011

Weekly Loves

Just a small collection of some of my favourite designer items this week. I particularly LOVE the Matthew Williamson coat - it has a grey fur collar and trim, and is covered in silver sequins. I would love to copy it, but sequin fabric is about $70/m and I so can't afford that.

D&G Fall 2011

DKNY Spring 2011

Douglas Hannant Resort 2012

Monique Lhuillier Fall 2011

Matthew Williamson Fall 2011

Acne Spring 2011

Stella McCartney